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The Trigun Stargaze anime is a story about hope in the harshest environments

I saw the first two episodes of Trigun Stargaze at NYCC 2025 and it proved it was all about hope.

Vash The Stampede In Trigun Stargaze Featured Image
Image credit: Orange

In the world of Trigun, hope is always in short supply. Humanity has been stranded on a harsh, unforgiving planet with few resources and no way of escape. Trigun Stargaze, the newest anime adaptation of Yasuhiro Nightow’s manga to hit our screens, has the same basic setup as the original manga and the classic anime, but it doesn't just lean into the brutality of Noman’s Land. If anything, Trigun Stargaze is about the importance of hope in the darkest of times. Hope, and the triumphant return of fan-favorite character, Milly.

Hope isn’t just an emotion or a metaphysical concept; it is a force that can sustain people when food and drink are not enough. In Trigun Stampede, humanity escaped from environmental collapse on Earth by fleeing to the stars. Where they ended up, thanks to Knives’ intervention, was a world called Noman’s Land; a harsh, desert world that they could never survive in without exploiting interdimensional beings known as plants to create resources like food and water.

Trigun Stargaze Screenshot
Image credit: Orange

In this version of Trigun, there is a serious sense that this is just a temporary solution, however. Plants are stolen and die, leaving the areas that relied on them as ghost towns and the people as refugees, doomed to wander the desert until it consumes them. The world is brutal and dangerous, but people endure because they have hope that, one day, they will be rescued from the world they’ve found themselves in and rejoin the rest of humanity in the stars.

That hope was always in the Trigun manga, though it was only hinted at in the 1998 anime by Madhouse. However, Orange is bringing it back into focus with Trigun Stargaze. “Trigun takes place in such a really harsh environment,” explained Masako Sato, director of Trigun Stargaze, during the Trigun Stargaze panel at New York Comic Con 2025. “But the people there have not given up hope and especially Vash. He’s looking ahead for the future and trying to live on to do what he wants to do.”

The opening episodes of Trigun Stargaze, which were shown at that same NYCC panel, dig into the nature of hope. Here, humanity has received its first spark of hope in more than 150 years; a message from an Earth fleet has been received, and the survivors on Noman’s Land will finally be rescued. They just need to wait six months for the fleet to reach them in deep space. In six months, their lifetime of hardship will be over.
The news is like a spark that ignites the long-dormant hope in humanity. Fireworks are set off. Drinks are poured freely, without fear of rationing. Life becomes a celebration, both of the impending rescue and of their shared survival of unimaginable hardship. For the first time, there is unfiltered joy.

Of course, being the viewer, we can sense the potential for something sinister behind the message. We know that this hope is almost certainly misguided and mislaid, but the people and characters of Trigun Stargaze don’t see that. Their hope empowers them, but it also blinds them to the possibility of something going wrong. A character talks about the astronomical odds that were required for this message to be received by the approaching fleet at the exact moment they were within range to receive it and happened to be traveling through their sector of space. They acknowledge the odds are low, but even the scientists don’t seem to be fazed by that. Even if it is too good to be true, they need hope so badly that they practically will it into existence.

I only saw the first two episodes of Trigun Stargaze, but they’ve brought the central theme of the first season, Trigun Stampede, into focus more sharply than ever before. Hope is powerful, both as a force for good and evil, and I think we’re going to see both sides in action when the show comes to Crunchyroll this January. 


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Trent Cannon

Trent Cannon: Trent is a freelance writer who has been covering anime, video games, and pop culture for a decade. (He/Him)

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